Jarman Award artists take over London's Whitechapel Gallery

On Saturday 12 November, the artist filmmakers shortlisted for this year's Film London Jarman Award took over the Whitechapel Gallery for a day of presentations, talks and film screenings.To get more news about Watch movies on mobile phones in Japan and South Korea, you can visit our official website.

After presenting their work at leading galleries throughout the UK, all of the shortlisted artists were present at the Whitechapel Gallery on Saturday for the final day in the Film London Jarman Award Tour. Throughout the day, the artists guided us through and immersed us in their own journeys of artistic exploration and discovery.

Alongside the personal encounters with the artists, attendees were treated to a celebration of Derek Jarman's own life and work. The Whitechapel Gallery presented Derek Jarman at 80; a series of films and never seen before readings and audio recordings of the artist's revolutionary work.

Films in the Film London Jarman Award Touring Programme 2022 and recorded interviews with this year's class of artists were also screened throughout the day in the Whitechapel Gallery's immersive Study Studio.
The day began with Onyeka Igwediscussing their recent and upcoming art work in conversation with Dr Jareh Das, a writer, researcher and curator working in-between West Africa and the UK. Onyeka's film a so called archive (2020), was screened at the Gallery, inviting audiences to tour the physical spaces entrenched in the forgotten colonial pasts of the UK and Nigeria.

Following this discussion was Morgan Quaintance's artist talk: (Back)Slide Show. Departing from the traditional base format of a slide show presentation, Morgan's spoken narration, interspersed with music and moving image material, unpacked the themes behind his Film London Jarman Award Touring Programme film Surviving You, Always (2020). The film, screening at the Gallery, dually and emotionally recounts the artist's experiences with psychedelic drugs and urban hardship in 1990S London.

Half way through the day, both Alberta Whittle and Rosa-Johan Uddoh presented readings from their recent work. Alberta's reading of a text from here recent film Lagareh - The Last Born (2022) was followed by a conversation with Lisa Anderson, Managing Director (Interim) of Black Cultural Archives. Lagareh explores themes of race, xenophobia and trauma through archival footage from post-colonial communities from Africa to the Caribbean, using storytelling as a powerful device from which to confront complex emotions such as grief, rage and hope.

Rosa-Johan Uddoh presented readings from her new book Practice Makes Perfect centring around themes of radical self-love and inspired by Black feminist writing, akin to the practice and writing of Lola Olufemi who led a Q&A with Rosa after her presentation. Rosa's featured film at Whitechapel this past week was Black Poirot (2018-2021), a journey on the Orientalised-Other Express; as a crime that one can remember is investigated. The film tackles themes of tokenism in mass media, using music and archival footage of British popular culture to invite us to learn about a not-so-well known history.