There’s a good reason speakers are so popular in these pages. They make a difference! Pick the right ones and you are rewarded with an immediate improvement in sound quality. Whether you’re buying a new set of stereo speakers, upgrading an existing suite of home theater speakers, or introducing a new subwoofer into the mix, the result should be transformative. A speaker that recreates the recording space in a mind-blowingly lifelike way. A subwoofer that punches you in the gut and gives new meaning to going low. Forget subtle. Forget straining to hear a difference. This is where Sound & Vision comes in. We’ve compiled capsule reviews of our 2022 Top Picks in subwoofers, soundbars, and speakers. With any luck, one or more of our recommendations will play a meaningful role in elevating your listening experience.Get more news about fashion subwoofer speaker,you can vist our website!
If you don’t know much about OSD Audio (OSD is short for Optimal Speaker Design), it might be time to start paying attention. We were caught off guard by the clean, deep bass emanating from the $200 Nero TubeBass 10 subwoofer we reviewed last year so we wanted to see what OSD’s $600 Trevoce 12 EQ DSP could do. We were not disappointed. The subwoofer mates a 12-inch woofer with two side-facing passive radiators, app controllable DSP with 25-band parametric equalization, and an 800-watt amplifier in a manageable 15-inch cube. There are also standard crossover, volume, and phase controls but you probably won’t use them once you fire up the app.
Reviewer Al Griffin subjected the subwoofer to dual torture tests — one in a system set up for music, the other in a home theater dedicated to movie watching. The Trevoce 12 rendered the bass swells on Steven Wilson's "King Ghost" (The Future Bites) in a clean, dynamic manner and was able to convey the immense power of the deep synth-bass lines on "Valley" from The Orb's 1995 electronic album Orbus Terrarum. “I was impressed with how much of it I was hearing,” Griffin noted, adding: “I was also able to push the volume to near-uncomfortable levels without losing clarity.”

Movie time was every bit as impressive. When the plane gets hijacked and smashes into a hangar in the 2020 sci-fi action thriller Tenet, the impact was palpable, and Ludwig Göransson's droning, bass-heavy score was rendered in an appropriately dynamic manner — one that created the extreme tension the composer was no doubt going for. If you like the idea of nuanced performance from a subwoofer with an arsenal of controls that lets you really dial in the bass, the Trevoce 12 EQ DSP is well worth a look and listen.

Tipping the scales at 153 pounds and commanding well over 2 cubic feet of space, Monoprice’s new 13-inch bass beast is the latest model in its ever-expanding Monolith series and could be your last subwoofer — as long as you have the space (and budget) for it. The 13THX (our unofficial name) is a surprisingly no-frills affair featuring a tank-like custom woofer, which weighs 60 pounds on its own, a ballsy 2,000-watt (steady-state) amplifier, and an over-built triple-ported enclosure (foam plugs are provided for those who might want to experiment with different alignments).
There’s no remote control, wireless connectivity, or app-controllable auto-EQ. Instead you get a straight-up, back-to-basics super subwoofer with a standard set of crossover and other controls (including "THX" and "Extended" EQ settings) that is dead flat below 18Hz and capable of hitting 115dB SPL at 25Hz. As reviewer Daniel Kumin put it ever-so vividly, “Unless you live in a decommissioned train station or are a convicted bass-felon with an ankle-monitor, Monolith's 13THX delivers more bass than you can use. Placed and balanced with care, you can be assured you are hearing whatever bass exists on a recording, at any level you desire. Period.”